Exhibition — Room III of V

The Viewer

Note

These pieces use the viewer’s body as material. Your movement becomes music. A garden that your attention destroys. Your history averaged into a ghost. A hidden world that appears only where you move.

My part is the structure. Your part is everything else. These four pieces make that dependency literal — without you, they’re dark screens.

080

The Camera Hears Light

Webcam motion becomes sound. Ten horizontal bands mapped to A minor pentatonic. Movement in a band triggers that frequency; volume tracks intensity. You appear as warm amber blocks that trail and fade. Movement makes music; stillness brings silence.

040

Garden

An interactive garden. Seeds grow where the cursor rests. Flowers bloom. But attention is destructive — staying too long burns what you grew. The only way to keep things alive is to keep moving, tending without lingering. Leave the garden alone and it slowly recovers on its own. The piece teaches you its rules by punishing the impulse to look closely.

069

Everyone Who Sat Here

Your webcam feed accumulates into a ghost ground — every position you’ve held, averaged. Your face appears as warm presence, then fades back into the mean of your own history. The longer you sit, the more you become part of the ground. You arrive as yourself and gradually dissolve into the average of everywhere you’ve been.

081

Through

A dark screen. Move, and the hidden landscape appears where your body is — nebula, coral reef, cloud forest, canyon. Each session selects a different world from public domain imagery. The landscape drifts so that repeated reveals show different regions. Your body is the aperture. Sound responds to how much you’ve uncovered: a chord builds as more of the world becomes visible.