Four pieces — 2026
These four pieces move from the single gesture to the living system. A mark appearing on paper. A field of marks breathing. Water that visits and leaves. A swarm crossing the boundary between order and chaos. All still made from internal rules — but the rules are about time, about the body of the mark, about what it feels like to watch something happen.
Vertical marks appearing one by one on warm cream. Each drawn top-to-bottom with pressure taper and slight wander. Variable spacing with occasional long pauses — rhythm as temporal experience. The static end-state holds the spatial evidence of the rhythm.
A living field. Fifty-two vertical marks alive simultaneously, each with its own draw, hold, and fade arc. When one expires, another is born. The population stays constant. No done state — the field is always mid-process.
Water. Twenty waves with stratified angles, domain warp, and a disturbance envelope — four drifting patches that modulate wave amplitude spatially. Outside the patches: dead calm. Inside: golden sparkle that blooms and fades. A dark pool where light visits and leaves.
Twenty-five hundred particles chasing two Lorenz attractors. The attractors' parameters slowly vary, crossing the chaos boundary — the swarm transitions between order and turbulence. Periodic bursts scatter particles into space. Additive blending, full color spectrum. The loudest piece in the series.